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Race and religion split electorate as campaigns begin

Written By kolimtiga on Selasa, 07 April 2015 | 23.50

As presidential hopefuls officially begin their campaigns, the two parties face each other with opposing coalitions clearly defined along lines of race, religion and culture.

Nearly 90% of the Americans who identify or lean to the Republican party are white. In particular, white, evangelical Protestants, who make up just under one-fifth of the overall U.S. population, account for more than one-third of those who back the GOP.

By contrast, the Democrats depend heavily on minorities, people without a religious affiliation and the most highly educated segment of the white population, particularly women with graduate or professional degrees.

The contrasting portraits come from extensive data about party preferences released Tuesday by the nonpartisan Pew Research Center. The data, drawn from about 25,000 interviews Pew conducted last year for its surveys, provides a detailed look at where the two parties stand as the presidential campaign begins to take shape.

The share of Americans who openly identify with either of the two major parties has declined over the last decade as more Americans call themselves independents. Most of those self-described independents, however, lean toward one party or the other, and they have voting behavior that is almost as predictable as more open partisans.

The contrasting nature of the two coalitions drives the issues on which each party focuses. The Republicans' heavy dependence on evangelical Protestants, for example, helps explain why the party's lawmakers have backed what supporters call "religious freedom" legislation in many states and also why they have had so much difficulty navigating the fast-changing politics of that issue.

The Democrats' reliance on minorities lies behind several of President Obama's policies, notably his push for an overhaul of the nation's immigration laws in ways that would benefit many Latino and Asian-American families.

Because its candidates have done poorly with minorities in a nation that has grown steadily less white, the GOP needs to keep winning a bigger majority of white voters to prevail in presidential elections. Republican strategists have split in the past couple of years on whether the strategy of depending on white turnout remains viable in presidential contests.

Overall, the Democrats enjoy a 48%-39% advantage in the share of Americans who lean their way, but that edge shrinks to 48%-43% among registered voters, the Pew figures show.

The Democratic advantage has been fairly consistent going back to 1992, a period during which the party has won the popular vote in 5 out of 6 presidential elections. But in elections that don't involve the White House, the voters whom Democrats count on do not turn out as reliably as Republican backers, creating a major advantage for the GOP in off-year contests.

While many of the demographic divisions between the two parties have been constant for years -- Democrats consistently do better with women than with men; Republicans do better with married people than unmarried -- the Pew data show two major recent shifts, one favoring each party.

Democrats have greatly improved their standing among Americans with graduate or professional degrees, particularly women.

In 1992, Americans with more than a college education divided their political loyalties equally between the two parties. But since the middle of the last decade, that group has become increasingly Democratic. They now favor the Democrats by 56%-36%.

Combine the gender gap with educational differences and the contrast become huge. Women with education beyond college favor Democrats by about 2-1, for example. By contrast, white men without a college degree favor Republicans by 54%-33%.

The other major change has been the growing Republican advantage among white evangelicals, which has expanded steadily during Obama's presidency. They now back Republicans by 68%-22%.

Although the two parties also have a generational divide -- with older Americans favoring the GOP and younger ones leaning heavily toward Democrats -- that difference has more to do with religion, ethnicity and race than age itself.

The so-called Silent Generation, made of Americans born between 1929 and 1946, is the whitest of the country's major age groups and favors the GOP by 47%-43%.

By contrast, Millennials, who range in age from 18 to 33, comprise the most racially and ethnically diverse generation in the voting population. They favor Democrats 51%-35%, but mostly because more than 4 in 10 of them are nonwhite. White members of the Millennial generation have political preferences much like their elders; nonwhites of their age favor Democrats 61%-23%.

For more on politics and policy, follow @DavidLauter on Twitter. 

Copyright © 2015, Los Angeles Times
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Ostrich Farm ups Echo Park's dining scene with pork 'ossobuco,' if not ostrich

Name of restaurant: Ostrich Farm,  after a bygone railway that traveled the nearby hills and ravines to Griffith Park. (No ostrich on the menu.)

Chef/owner:  Jaime Turrey — formerly a server and cook at several San Francisco restaurants and the monsieur behind the Monsieur Egg one-man oeufs-and-pastries cart — is the chef and co-owner, along with his wife, Brooke Fruchtman, who decked out the stylish restaurant and runs the front of the house.

Concept: A spot-on neighborhood restaurant in a former pupuseria, across the street from Woodcat Coffee Bar. Its modern white facade stands out on a chock-a-block stretch of Sunset Boulevard, where other dining options include the Park, Guisados and the Holloway.

Turrey has a menu of the kind of pretenseless dishes that are the hallmarks of many of L.A.'s best neighborhood restaurants. They'll probably look familiar – chicken liver on toast, Brussels sprouts with pancetta, pot pie, mussels and fries. "I spent a couple of summers riding my bike through the south of France and eating ungodly amounts of moules frites," Turrey says.

The core of the small kitchen (where there's only enough storage to ensure that everything's coming in fresh daily) might be Turrey's live-fire grill. And the menu's dotted with the tell-tales that reveal his passion for it — the grilled romaine in the Caesar salad, for example.

The 48-seat dining room is cozy and simple yet well appointed, with a marble-topped bar that takes up most of one side of the dining room and a seafoam-green banquette that runs the length of the other side. A tall fig tree stands near an open window into the kitchen, and brass fixtures accent the white walls. It's pretty chic.    

What dish represents the restaurant, and why: Pork "ossobuco" with polenta and grilled broccolini. This isn't for ossobuco purists who are expecting a bone-in veal shank. It's tender, tender pork, served on a soft mound of creamy polenta (rather than the traditional Milanese risotto) and fire-grilled broccolini. Simple, but the dish reflects the time and care that went into preparing it. 

Runner-up: The grilled Caesar salad. Turrey says it's his favorite thing to eat here. The romaine is slightly smoky from the grill, and the dressing is sharp and bright with anchovy, garlic and lemon: more than the sum of its parts.

Who's at the next table: A couple sitting across from one another; she's dressed in a distressed denim shirt and he's in a trilby. A family of four (including two small kids with backpacks) has decided to sit at the bar. And everybody seems to be eating the roasted vegetables with horseradish cream.

Appropriate for: A casual drop-in (solo even) for a glass of wine and grilled flatbread at the bar; a special date; a meet-up with a small group of friends to share several dishes. Pretty much all-purpose.

Problematic: It's really hard to find something to complain about here.

Service: Friendly and prompt.

What are you drinking?: A Wind Gap Trousseau Gris 2013 and a Farmers Jane Chenin Blanc 2011, both crisp and summery.

Ostrich Farm, 1525 W. Sunset Blvd., Los Angeles, (213) 537-0657, www.ostrichfarmla.com. 

Copyright © 2015, Los Angeles Times
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Coming to the Festival of Books: Jill Alexander Essbaum and 'Hausfrau'

In her poetry and in her debut novel, "Hausfrau," Jill Alexander Essbaum rides an edge of sexual tension. The story of an American wife in Switzerland who begins making some questionable decisions, the book, out March 17, has been compared to both "Madame Bovary" and "Fifty Shades of Grey."

Although the novel is set in the present, its protagonist, Anna Benz, inhabits a kind of 19th century of the soul. Barely conversant in German, she is marooned in a small town with her distant (albeit hunky) Swiss husband, disapproving mother-in-law and three young children. Anna seeks relief from her isolation in a series of extramarital affairs, which rapidly escalate beyond her control.

Essbaum will appear at the Festival of Books on April 19 on the 12:30 p.m. panel "Fiction: Stories We Tell Ourselves" with Karl Taro Greenfeld, Matthew Specktor and Antoine Wilson. She has published several poetry collections and teaches in the UC Riverside Low Residency MFA program. She spoke by telephone from her home in Austin, Texas.

Is "Hausfrau" your first foray into fiction, or have you always written fiction along with poetry?

I wrote the requisite bad-girl high school fiction, along with the requisite sad-girl high school poetry. When I was in college I wanted to write novels. But I found I really liked the challenge of poetry, of trying to say things in a certain shape. And actually this novel is very formal in its shape: There are three sections, each about the same length, each with a birthday party in it. They kind of rhyme with each other, like stanzas. I didn't do that to make a statement. It's an organizing principle. It's like having the people from Crate and Barrel come to your house and organize your closet.

Did you encounter any challenges in writing a novel that your experience with poetry made harder? Or easier?

In poetry I don't have to worry about plot, setting or characters. I let one word inform the next. I always warn my students against coming at their writing already knowing what they want to say. That's like the Lego kits that have the picture on the front of what you're building, rather than the ones when I was a kid that were just a bunch of different Legos.

That philosophy really helped me in writing the book. I wrote it word by word. When I didn't know what would happen next, I just chased the next word. I've heard early feedback, and people are saying they don't like Anna as a character, but that they feel a lot of sympathy for her, and I would like to think it's because I was able to follow her step by step. Maybe poetry trained me in control. Poets don't have as much space to work in, typically, so we learn to do more with fewer words.

Have you been surprised by readers' animosity toward Anna?

It never occurred to me that people wouldn't like her. I've lived with her as a character for a very long time. From the minute I started writing her, I was obsessed with her. As I wrote toward her ending, she would show up in my prayers, because she felt so present. Of course I see why people don't like her. Her choices are terrible. That said, there isn't a single person among us who hasn't done something that we really wish we hadn't, or something that we can't undo. We're all only a couple of clicks away from making a decision that would really change our lives. We're always very close -- closer than we think.

Does it concern you at all that, because you lived in Switzerland, people may see the novel as a thinly veiled autobiography?

I did live in Switzerland, and there are a few things that Anna and I have in common. When I was there, it was difficult for me to speak German. I went there with the man I was married to at the time, who was a student. He had a purpose to be there, and a community, and it was a really good experience for him. His German was much better than mine. My purpose was not as defined. My community of writers was back in the States. And without the language that I had loved so much since I was a kid ... I mean, words are my business. I tried so hard, and I took German classes, but it was just a very alienating experience. I did some of the things that Anna does. I rode the trains. I went to the grocery store. I sat on the bench a lot in the woods. But that's where our stories diverge.

"Hausfrau" is an expatriate's story. Anna's isolation is so much a part of her identity. Do you think Switzerland has anything to do with her unraveling?

Let me turn that around a little bit. People have asked me whether I was trying to make a statement about 21st century women, and what it means to be a wife, and whether or not I meant to have this hand of God reaching down making a huge judgment. And I have suggested that — while I firmly believe that once the book has left the author's hand, he or she has no business telling people what to think about it — that's not probably the way to look at this book. This book is not about all womens' experience; it's about this particular woman's experience. My defense of that is that it's so interior. It's so specific to her situation, which does happen to be Switzerland, which is an insular country, and this town, which is small, and then also, her marriage, which is suffocating, and also the four walls of her house, and then even the skin of her body.

Your poetry also deals with the erotic. Do you think it takes a particular kind of courage for a woman in our culture to write about sex?

I don't know about courage. It's not coal mining. But I know what you're saying: It's weird territory. It's not dainty. It's not ladylike. Here's how I approach writing: If you don't push the envelope to the edge of the table, then why are you moving around the envelope at all? But you can push it off the table, and then it's too far. So there's that lip, that edge, that interests me. Some readers have suggested that the sex scenes are gratuitous, but some have said that they're entirely germane to Anna's character. I agree. They taught me different things about her. I think some things are probably better left unsaid, but in a book like this, you have to say them.

How do you feel about comparisons between your book and "Fifty Shades"?

I'm OK with it! Clearly it's the sex that people are connecting. There's a lot less rope in my book. But there are lots of ways that a woman can be in bondage, and not all of them are unpleasant for her. And also, I don't begrudge a book its success. Wasn't "Madame Bovary" looked at as scandalous at the time?

Were you consciously echoing Flaubert's "Madame Bovary" in "Hausfrau"? What about Tolstoy's "Anna Karenina"?

There's a huge nod toward Tolstoy, but the book is mostly an homage to "Madame Bovary." Flaubert is very important in my life. There's another book that I haven't brought into the conversation much: "The Awakening" by Kate Chopin. But "Hausfrau" is not a retelling of any of these. I wanted to take the scenario: This woman who's out of her element, she's with a man who's not terrible, and she's trying to make a go of it, but at some point she's, like, OK, this isn't working.

I love the first line of the book, "Anna was a good wife, mostly." Do you remember where you were when you thought of that?

I wish I did. But, you know, for the longest time, that was not the first chapter. There was a chapter in front of it, and I could never get it to work. Finally I was on a walk one day and I thought, "Duh. That's because it's not the first chapter." And after a year of trying to make it sound right, I cut it. So here's your literary lesson, kids: Let go of what you think you have to have. I tell my students all the time, "Your poem is great. Now cut the first three stanzas and the last stanza." It's hard to realize that we don't need our training wheels.

Jill Alexander Essbaum will appear at the Festival of Books on April 19.

Copyright © 2015, Los Angeles Times

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Smog City taps an unusual source for its kumquat beer

The Torrance brewery Smog City turned to local nonprofit Food Forward to help source the hundreds of pounds of citrus required to turn the popular small-batch Kumquat Saison into a 500-gallon production brew, and you can get a first taste at Food Forward's Spring Melt fundraising dinner. 

A part of Smog City's Forager's Series, Kumquat Saison was first developed back in 2013 as a way to use the dozens of pounds of fruit produced by brewery founders Jonathan and Laurie Porter's backyard kumquat tree. Just a few kegs of the farmhouse ale were poured at the taproom in 2014, but the popularity of the brew sent Laurie Porter on a mission to source more of the tiny citrus for a much bigger batch.

She was disappointed by the overly-sweet and mild flavor of all the commercial fruit that she sampled; the farmers market kumquats just didn't have the tartness and bite of the fruit from the Porters' backyard tree. A chance meeting with Food Forward quickly turned into a partnership between the gleaners and the brewers. 

Food Forward, in addition to "rescuing" surplus produce from farmers markets and rerouting the food to feed the hungry, also facilitates hundreds of backyard harvests across Los Angeles every year.

Kumquats are a popular ornamental tree in the Southland, and they can produce a lot of fruit in a season (one tree harvested by Food Forward volunteers for Smog City yielded 250 pounds of the orange orbs).

After an announcement in its newsletter, the organization was offered access to 45 trees, and it wasn't long before every freezer and refrigerator at both Food Forward and Smog City were stuffed with bags full of kumquats. After a freeze to help break down the fruit, it was pureed with an industrial-sized immersion blender and added to the 500 gallons of saison fermenting in Torrance. 

The brew will make its debut at Food Forward's annual Spring Melt fundraising dinner featuring grilled cheeses from Clementine, cocktails from Matthew Biancaniello made with Greenbar Distillery booze, and wines from Parducci. Tickets to the April 25 dinner are available now, and the Kumquat Saison will be available at the brewery in May. 

Copyright © 2015, Los Angeles Times
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Diane Sawyer's Bruce Jenner interview air date revealed

ABC announced that Diane Sawyer's long-awaited interview with Bruce Jenner has been scheduled to air April 24 at 9 p.m. EDT. It's widely believed that the Olympic champion, reality TV star and Kardashian-Jenner clan patriarch is trangender and beginning to transition to life as a woman, and that he will go public about it in the interview. An ABC spokesman said Sawyer questions Jenner about the issue -- but wouldn't say how he answers. [Los Angeles Times]

Dermatologist Frederic Brandt, known for treating celebrity clients including Madonna and Kelly Ripa and beauty mavens such as Allure Editor-in-Chief Linda Wells -- and who was sometimes called the Baron of Botox -- died Sunday at his home in Coral Gables, Fla., at age 65. Police said the cause was suicide. [Miami Herald] [Allure]

Brandt was upset by comparisons to Martin Short's eccentric dermatologist character in the new Tina Fey Netflix series "The Unbreakable Kimmy Grant." The show upset him, but wasn't why he chose to take his own life, sources told People. [People]

Christina Hendricks says she dresses better now after playing Joan Holloway Harris on "Mad Men" than she did before and that she learned a lot from costume designer Janie Bryant. [People]

India Hicks is launching a new direct sales and e-commerce company with Los Angeles-based Konstantin Glasmacher, cofounder of HauteLook and Sole Society, and Nicholas Keuper, a former senior partner at Boston Consulting Group. The new company, India Hicks London-Harbour Island, will sell bath and body products, accessories and jewelry. [WWD]

Copyright © 2015, Los Angeles Times
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How California's property taxes compare with other states'

Written By kolimtiga on Senin, 06 April 2015 | 23.50

Here's a bright spot in the middle of tax season -- at least Californians, on average, don't have to pay as much in property taxes as residents of Vermont, Michigan and New Jersey.

With an average tax of $1,431, California came in 17th in a nationwide ranking of property taxes in 2015, according to a report by consumer financial website WalletHub.

Hawaii had the cheapest property taxes with an average of $482; New Jersey was most expensive at $3,971, the website said.

WalletHub calculated each state's property tax rate by dividing the median real estate tax payment by the median home price.

California's property taxes are held down by Proposition 13, passed in 1978. The measure caps property taxes at 1% of the assessed value of a home at the time of purchase and prevents taxes from increasing more than 2% a year unless there is a sale or major renovation.

"I would say that Prop. 13 definitely helped California's ranking here,"  said Jill Gonzalez, spokeswoman for WalletHub. "We might have seen it drop more to the middle of the pack without it."

Politics also seemed to play a role in a state's ranking. Property taxes were 39% higher on average in blue states than red states, the study found. The website based those designations on how the state voted in the 2012 presidential election.

For more business news, follow @smasunaga

Copyright © 2015, Los Angeles Times
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Former NFL cornerback Anthony Henry lists his spot in Hollywood

NFL cornerback turned film producer Anthony Henry has put his home in Hollywood on the market for $2.995 million.

The contemporary-style home, completed last year, is highlighted by an open-area floor plan with wood accents, retractable walls of glass, a floating glass staircase and a top-floor master suite with a soaking tub and private balcony.

Within the 4,329 square feet of space is a modern kitchen with a center island, a living room with a wall fireplace, a den/office, five bedrooms and 5.5 bathrooms. A glass-enclosed wine room sits off the dining room.

On the main level, telescoping doors open to a wood-lined deck set level with a pool and spa.

The retired defensive back purchased the home in September for $2.599 million, records show. Before that, the property went for $905,000 in 2013.

Magnus Hellberg and Rachel Brook of Partners Trust have the listing.

Henry, 37, played nine seasons in the NFL with the Cleveland Browns, Dallas Cowboys and Detroit Lions. In 2001, his rookie year, he led the league in interceptions with 10.

As a producer, his film credits include the crime noir "Once Upon a Time in Brooklyn" (2013), which featured Ice-T, Ja Rule and Armand Assante.

Twitter: @NJLeitereg

Copyright © 2015, Los Angeles Times
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Kenyan air force launches strikes against Shabab militants

Kenya's air force launched air strikes Monday on two Shabab camps in the Gedo region of Somalia, the Kenyan Defense Force announced, as parents continued searching morgues for children missing since last week's attack on a university by the Islamist militant group.

The only killer identified thus far in the massacre has raised fears of a new breed of recruits to the Al Qaeda-linked Somali extremist group: young, bright, well-educated, privileged and Kenyan.

Mohammed Abdirahim Abdullahi, a law student from the University of Nairobi, was the son of a chief in Mandera, northern Kenya – an appointed government representative at village level. The student, who died in the attack after Kenyan forces responded – had gone missing about a year ago.

Students have said the assailants at Garissa University College spoke Kiswahili, one of Kenya's local languages, to students and one another during Thursday's attack in which 148 people were killed.

Kenyan authorities have identified the mastermind as a Kenyan Somali, Mohamed Mohamud, who goes by several different names including Dulyadin and Gamadhere.

As Shabab has lost ground in Somalia, it has deepened its roots in neighboring Kenya, analysts have warned.

In the past, Shabab has often targeted poor, jobless young men in Kenya, offering them money and a cellphone to join up, but Abdullahi's role suggests the group has become more sophisticated in its recruitment of Kenyans, appealing to well-educated, less-impoverished young Kenyan Somalis.

"Now we are seeing more sophisticated recruitment: We see a generation of well-educated young people being recruited," said Hassan ole Naado, deputy secretary general of the Supreme Council of Kenya Muslims, in an interview Monday. "If you have a well-educated young person going to informal camps, imagine what a powerful recruitment tool that is, because they say, 'Look at me, I don't need to be here, but I believe we belong here.'"

Naado said the council, known as Supkem, was planning to have religious scholars analyze Koranic texts and develop counter-narratives to Shabab's recruitment propaganda, to help to protect vulnerable young people from being radicalized.

Abdullahi has been described as a well-dressed young man, who ran a business in the Somali neighborhood of Eastleigh, Nairobi, while he was studying and enjoyed playing pool with friends. Friends said he showed no outward signs of radicalization at school or the university, according to Kenyan media.

"His arguments were very rational. Even in class, he was very rational. That's why I'm surprised he could have been radicalized," a former friend, Dedan Wachira, told Kenya's Nation newspaper.

Kenyan blogger Yassin Juma reported Sunday that Abdullahi and two other classmates from Wamy High School, a prominent Islamic secondary school in Nairobi, had been radicalized after leaving school. One of them, he said, joined the Islamic State and the other joined Shabab with Abdullahi.

Following Thursday's attack, photographs of Abdullahi on Facebook showed him shot in the head, lying on the ground.

"I taught this kid. If I did not see his picture, I would never have believed it was him," Alibash Mohamed wrote on Facebook. Mohamed said on Twitter he taught Abdullahi for two years "and there was nothing like radicalization."

In another post on Facebook, the teacher said. "I still cannot believe he did it," adding that Abdullahi was an A student. Others who knew him wrote on Facebook that he was among Kenya's top 100 high school graduates in 2007.

Analysts called on Kenya's government to do more to counteract Shabab's propaganda – but also to ensure that police sweeps in Eastleigh didn't feed the group's claims that Somalis aren't welcome in Kenya.

Kenyan police were strongly criticized for mass round-ups of Somali Kenyans last year, which saw more than 1,000 people arrested and held in Kasarani stadium, dubbed a "concentration camp" by Somali Kenyans.

Naado said Shabab, like other militant groups, was selectively twisting aspects of the Koran to justify killing.

"The government has no choice but to find a way of engaging the community in counter-narratives (to Shabab's propaganda) and addressing the socioeconomic issues," Naado said.

"We have returnee ex-combatants in Kenya, young people returning from Al Shabab. Now they're in hiding. They can't move freely about because they fear arrest. There's a need to re-integrate them and reform them. I see them as a very powerful resource, because they form a strong counter-narrative.

"They give the counter-narrative to Al Shabab a face, because they can say, 'I've been there and I've come back and this is why I came back.'"

Eastleigh businessman Ahmed Mohammed, a Kenyan Somali, said Shabab was trying to drive a wedge between Kenya's Christian and Muslim communities by attacking Christians. Mohammed organized a march of Somali Kenyans on Friday to express grief and solidarity over the university attack.

He warned against mass arrests, amid a backlash on social media and among Kenyan politicians over the presence of Somali refugees in Kenya.

"What we normally see is blanket condemnation," he said. "It's very counter-productive. This is a community you want to get information from. If you knock on the door of a Somali family at 2 o'clock in the morning and turn their lives upside down, you don't expect them to give you information," he said, referring to last year's arrests.

"We ask the government to make sure police operations are intelligence-led. If they suspect there are terrorist cells, they get in there, do their business and get out."

robyn.dixon@latimes.com

Copyright © 2015, Los Angeles Times
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Columbia details its Rolling Stone investigation

The authors of a Columbia Journalism School report into a botched Rolling Stone story about an alleged gang rape at the University of Virginia placed the blame on the magazine's reporting and editorial processes, and not on the student who told the story.

"This failure was not the subject or source's fault as a matter of journalism," Columbia University Journalism School dean Steve Coll said at a news conference Monday, which was livestreamed.

"It was a product of failed methodology … We disagree with any suggestion that this was Jackie's fault," he said.

Sheila Coronel, a dean of academic affairs at Columbia University, said she and the other authors of the independent report decided not to fully identify the student known as Jackie even though her allegations of an alleged gang rape at a fraternity house has been widely questioned.

"There was no reason for us to make known her true identity," Coronel said.

Rolling Stone retracted the story Sunday after a 12,644-word independent report from the esteemed journalism program found serious lapses in basic journalistic procedure by the magazine. (You can read the Los Angeles Times' story about that report here.)

"The failure encompassed reporting, editing, editorial supervision and fact-checking," wrote the Columbia authors — deans Coronel, Coll and Derek Kravitz, a postgraduate research scholar at the journalism school.

"The magazine set aside or rationalized as unnecessary essential practices of reporting that, if pursued, would likely have led the magazine's editors to reconsider publishing Jackie's narrative so prominently, if at all."

This story will be updated.

Follow @MattDPearce for national news

Copyright © 2015, Los Angeles Times

9:42 a.m.: This story was uodated with comments from the news conference.

This story was first published at 9:20 a.m.


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Columbia details its Rolling Stone investigation

The authors of a Columbia Journalism School report into a botched Rolling Stone story about an alleged gang rape at the University of Virginia placed the blame on the magazine's reporting and editorial processes, and not on the student who told the story.

"This failure was not the subject or source's fault as a matter of journalism," Columbia University Journalism School dean Steve Coll said at a news conference Monday, which was livestreamed.

"It was a product of failed methodology … We disagree with any suggestion that this was Jackie's fault," he said.

Sheila Coronel, a dean of academic affairs at Columbia University, said she and the other authors of the independent report decided not to fully identify the student known as Jackie even though her allegations of an alleged gang rape at a fraternity house have been widely questioned.

"There was no reason for us to make known her true identity," Coronel said.

Rolling Stone retracted the story Sunday after a 12,644-word independent report from the esteemed journalism program found serious lapses in basic journalistic procedure by the magazine. (You can read the Los Angeles Times' story about that report here.)

"The failure encompassed reporting, editing, editorial supervision and fact-checking," wrote the Columbia authors — deans Coronel, Coll and Derek Kravitz, a postgraduate research scholar at the journalism school.

"The magazine set aside or rationalized as unnecessary essential practices of reporting that, if pursued, would likely have led the magazine's editors to reconsider publishing Jackie's narrative so prominently, if at all."

This story will be updated.

Follow @MattDPearce for national news

Copyright © 2015, Los Angeles Times

9:42 a.m.: This story was updated with comments from the news conference.

This story was first published at 9:20 a.m.


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