Diberdayakan oleh Blogger.

Popular Posts Today

Meagan Good, the new member of the 'Anchorman' team

Written By kolimtiga on Selasa, 24 Desember 2013 | 23.50

That may be the most rational response a woman could have to Ferrell, at least when he's playing hopelessly chauvinist TV newsman Ron Burgundy. In Good's case, she was performing the screen test that landed her the role of early 1980s cable news executive Linda Jackson in "Anchorman 2: The Legend Continues."

Ron's clueless bigotry is the premise for some of the humor in the sequel, which Ferrell co-wrote with director Adam McKay. Good, a newcomer to the franchise and to the clubby, improvisational world of Judd Apatow-produced comedies, is the comic foil.

PHOTOS: Box office top 10 of 2013

It's a role that puts the actress, best known for supporting parts in the African American comedies "Think Like a Man" and "Jumping the Broom" and the lead in the now canceled NBC drama "Deception," in front of wider audiences. And it casts her as the straight man in jokes that walk the ever-shrinking tightrope of racial humor.

"Anchorman 2" is set in 1980, and the film's notion of a black, female boss is unfathomable to Ron. Later, when Ron and Linda have forged an unlikely romance, he attempts to connect with her family by speaking jive.

"The whole point is to shed light on the stereotypes and make people go, 'Hmm, yeah, that might be me,'" Good said. "This is a way to do it that disarms people. They don't feel like they're being attacked, they don't feel they're being preached to. That's the beauty of comedy."

In a recent interview over lunch, Good, 32, was warm and open, sharing, for instance, that when Linda barks and meows as she sexually harasses Ron, "I make that sound around my husband, in the living room when he's trying to watch his programs." (Her husband is Columbia Pictures executive DeVon Franklin).

Good is also distractingly attractive — in a black beanie and sweats, with no outward sign that she's spent her recent evenings walking red carpets except for an elaborate, bejeweled manicure, Good has a whiplash-like effect on the male heads in a nearly empty Sunset Plaza restaurant.

PHOTOS: Billion-dollar movie club

The actress grew up in the Canyon Country community of Santa Clarita, the daughter of an LAPD officer and one of only three black families in the area. Her mother managed her child acting career, which included bit parts in shows like "Doogie Howser, M.D." and in the stoner comedy film "Friday."

Deeply religious, Good says she came to Christianity at age 12 after the death of a friend. She attends church twice a week, on Saturdays at Mt. Rubidoux Seventh Day Adventist Church in Riverside and on Sundays at One Church L.A. in West Hollywood. Franklin is also active as a preacher.

"We believe that both [Christianity and show business] can come together and one can be used to promote the other, using what we do in the business to promote the kingdom," Good said.

Good says she has occasionally turned down a role with nudity or some other quality she feels doesn't reflect her values.

"I have my parameters of what I feel in my spirit is appropriate," she said. "There have been times where it's been tough because it's something I really wanted, but the nudity would be exploitative and I'd lose the opportunity, but what I've found is that the more I stick to my convictions, the more God sticks to his promises. When I would lose something, something better would come up than what I turned down. And I've been able to pay my bills doing nothing else since I was 13."

PHOTOS: Holiday movie sneaks 2013

In "Anchorman 2," Good entered a comedy family that was already intact, with much of the cast, including Christina Applegate, Steve Carell, David Koechner and Paul Rudd, returning from the first film.

"Immediately, Christina took me aside and said, 'This is what you can expect. It's a boys' club, but you're gonna be great,'" Good said. "She told me to be prepared for the improv-ing, think of some stuff myself, don't be nervous, be fearless, just go for it."

The movie opened Wednesday to middling box office (about $40 million so far) in the U.S., off of mainly positive reviews, some of which single out Good's no-holds barred repartee with Ferrell.

"She was game for anything," McKay said. "And always kept this kind of cool, high status about her, which was what we wanted for the role. She seemed really unflappable. The trick is, can they hold their character together while doing crazy stuff? You've got to be able to be a good enough actor to get to that place."

Good said her dream project is a Whitney Houston biopic, which she had been discussing with the singer before her death early last year.

In the meantime, she brought the confidence that came from playing with improv's A-team to her next comedy, "Think Like a Man Too," which is due in theaters in June.

"If acting in a comedy is about free-fall, ['Anchorman 2'] pushed me off the cliff," Good said.

rebecca.keegan@latimes.com



23.50 | 0 komentar | Read More

DreamWorks Animation to unveil first original series for Netflix

This week, the Glendale studio will take a "Shrek"-size leap toward reinventing itself on the small screen.

On Christmas Eve, DreamWorks Animation unveils its first original series for Netflix Inc. — "Turbo FAST," a spinoff of the company's summer movie about a team of racing snails.

"Turbo FAST" is the first of 300 hours of animation programming that DreamWorks is creating as part of a landmark deal with the streaming television service.

ON LOCATION: Where the cameras roll

The agreement marks the largest push into original kids' programming for Netflix and also is the first time that DreamWorks Animation's characters will be introduced into the television market as a branded collection of shows.

DreamWorks, creator of the "Shrek," "Kung Fu Panda" and "Madagascar" movies, already produces TV specials and series based on its movies for Cartoon Network and Nickelodeon and is eager to expand its television production as part of a strategy to become less reliant on the fortunes of animated feature films.

But the pact with Netflix of Los Gatos, Calif., takes its foray into TV to a new level. Over the next three years, DreamWorks will produce a dozen series based on characters from its movies, as well as those from its recently acquired Classic Media library, which includes "Rocky and Bullwinkle," "Lassie," "Casper the Friendly Ghost," and "Mr. Peabody and Sherman."

For DreamWorks, Netflix provides a new way to reach family audiences across a global Internet service that is changing television viewing habits.

PHOTOS: Billion-dollar movie club

"It's an enormous order," said Margie Cohn, head of television for DreamWorks Animation. "It really takes DreamWorks from being a movie company to being a branded family entertainment company. Instead of having just one or two engagements with DreamWorks Animation every year, you now have a daily engagement."

Housed in an office building near the Glendale headquarters, the TV unit — dubbed Animation Central —employs 75 people and will add 225 more by the end of March to handle the growing volume of work, Cohn said.

For Netflix, the partnership allows the service best known for critically acclaimed adult fare like "House of Cards," "Arrested Development" and "Orange Is the New Black" to expand its family entertainment offerings.

Kids' shows such as "Mako Mermaids" have proved to be popular on Netflix, which needs fresh content in part because it did not renew a deal it had with Viacom Inc. for reruns of shows from its popular kids' cable channel Nickelodeon.

PHOTOS: Celebrities by The Times

"Animated content reaches kids at a variety of ages, and the kids' offering is very important to us because it's a way to increase the value of our service," said Cindy Holland, vice president of original content for Netflix.

DreamWorks Animation will receive licensing fees from Netflix, which is paying for the programming.

Television represents a small share of DreamWorks' overall revenue — only about $100 million annually. And even with the Netflix deal, about 70% of the studio's business will remain tied to the box office, said Doug Creutz, a senior media and entertainment industry analyst with Cowen and Co.

"It's not a radical change to their business model, but it does give them some stability," Creutz said. "Their TV business has not been enormously profitable. This improves the profitability of that business significantly. "

PHOTOS: Greatest box office flops


23.50 | 0 komentar | Read More

Review: Justin Bieber comes of age in 'Journals'

's kid nephew — a sort of pint-sized vocal prodigy — in a squeaky-clean duet with the singer on her "All I Want for Christmas Is You."

Not anymore.

Two Christmases later, Bieber is nearing the end of a year in which he's done about as much as possible to shake off the childlike innocence that helped establish him as one of pop music's biggest (and most polarizing) acts.

The incidents will be familiar even to casual followers of celebrity gossip: the heated run-in with a photographer in London, the unauthorized spray-painting of walls in South America and Australia, the urination into a mop bucket in a New York restaurant. And then there was the explosive viral video that depicts a woman — a prostitute, according to some reports — blowing a kiss to Bieber as he sleeps on a sofa.

PHOTOS: Miley Cyrus before and after Disney

At 19, he's already lived more colorfully than many stars three times his age.

Bieber channels some of that growth (if indeed "growth" is the right word) on "Journals," a new digital album that collects 10 singles recently released on iTunes along with five previously unissued songs. The package, which went on sale late Sunday, precedes "Justin Bieber's Believe," a concert-film documentary due in theaters Wednesday.

In these songs he almost entirely avoids the high-energy dance beats that defined his last album, 2012's "Believe." The music is slower and more restrained, with clean-toned electric guitar licks and gently stuttering R&B grooves; "Recovery," one especially assured highlight, is built on a sample from "Fill Me In" by the English soul singer Craig David. It's a knowing choice of source material, indicating both a shift in stylistic direction as well as Bieber's affinity with another performer who found fame during his teen years.

As individual installments of the singer's "Music Mondays" series (in which he released a new track every week from early October through mid-December), cuts like the bluesy "All That Matters" and the hollowed-out "Hold Tight" suggested that Bieber was using the iTunes rollout to experiment with different moods and textures; here they feel like parts of an impressively unified whole.

PHOTOS: Katy Perry in concert: onstage and offbeat

They're held together largely by Bieber's singing, which is terrific throughout "Journals" — breathy and expressive, but also muscular when it needs to be, as in the chewy pop-funk tune "Roller Coaster."

Yet his vocal ability has been apparent for some time to anyone who's bothered to listen. What distinguishes "Journals" is that he's using that voice to confront the awkward aging-in-public process head-on, rare among his peers beyond Taylor Swift. There are mournful breakup songs presumably inspired by his on-again/off-again relationship with Selena Gomez. There are credibly lascivious sex jams such as "PYD," a duet with R. Kelly.

And, perhaps most important, there are tunes that take up his evolving reputation with surprising candor. Sometimes, as in "All Bad," he's assuring a lover that the haters have him all wrong. "Instigators like putting fire on propane," he croons over a head-nodding beat, brushing off the criticism like so much dirt on his shoulder.

At other points, though, Bieber seems willing, even eager, to implicate himself in the tabloid circus that his life has become. "First I'll acknowledge our trust has been broken," he sings in "Recovery," one of several lyrics here that might apply to a single person or to the portion of his audience put off by his recent antics.

He goes further in "Change Me," a delicate piano ballad that opens with his accepting "a little responsibility" before proposing a solution to a problem he didn't even have this time last year. "Maybe you could change me," he sings with an exquisite tear in his voice. "Maybe you could be the light that opens up my eyes, make all my wrongs right."

It's a come-to-Jesus moment that has nothing to do with Christmas.

mikael.wood@latimes.com

---------------------------

Justin Bieber

"Journals"

(Island)

3 stars 


23.50 | 0 komentar | Read More

U.N. says mass grave of 34 found in South Sudan

NAIROBI, Kenya -- The United Nations has discovered a mass grave in South Sudan containing about 34 bodies, the world body said Tuesday, amid a wave of ethnic killings in the world's newest country over the last 10 days.

The U.N. said it received reports of 41 additional people "unaccounted for and feared dead."

Word of the mass grave came as South Sudan undertook military operations to wrest back control of the city of Bor from rebels loyal to the country's former vice president. One potential complicating factor: The military said armed elements have entered a U.N. refugee camp in Bor that holds about 17,000 civilians.

The mass grave was found in Bentiu, U.N. human rights chief Navi Pillay said. At least two other mass graves are reported to have been found in Juba, she said in a statement Tuesday.

The bodies in Bentiu reportedly belonged to the ethnic Dinka, who were members of the Sudan People's Liberation Army, said Ravina Shamdasani, a spokeswoman for the Geneva-based human rights office.

Responding to the discovery, the government minister of information Michael Makuei Lueth said: "Of course Bentiu is under the control of the rebel leader Riek Machar, so we have nothing to do with that area."

The United States and Ethiopia are leading efforts to open peace talks on the crisis. Officials say President Salva Kiir and former Vice President Riek Machar have agreed to meet but specifics including the status of Machar's imprisoned compatriots are holding up talks.

South Sudanese troops are advancing on Bor in order to take it back from troops loyal to Machar, said military spokesman Col. Philip Aguer. Troops will also soon advance on another rebel-held city, Bentiu, in the oil-rich region of Unity state, he said.

"We have already started in Bor," Lueth said.

The U.N. has staff in the country investigating the incidents of mass killings, said Pillay. It is unclear who is responsible for the killings, she said. The other two reported mass graves are in Jebel-Kujur and Newside, near Eden, she said.

The top U.N. humanitarian official in the country said Monday that he believes the death toll from 10 days of violence has surpassed 1,000 but that there are no firm counts. The official, Toby Lanzer, estimated that there are more than 100,000 internal refugees across the country seeking shelter from the violence.

ALSO:

Egypt: Powerful car bomb kills at least 13; scores more injured

Corruption scandal, police firings spark renewed unrest in Turkey

Kalashnikov: Most popular, and deadliest, weapon of modern warfare


23.50 | 0 komentar | Read More

Stocks edge higher

Stocks edged higher on Wall Street on Tuesday, helped by a report that showed American companies were investing in their businesses at the fastest pace since January. 

Trading was quiet ahead of the Christmas holiday. U.S. markets will close early on Tuesday and will remain closed on Wednesday. 

Bond prices fell on the latest positive news on the U.S. economy. The yield on the 10-year Treasury note, a benchmark for many kinds of loans including home mortgages, moved closer to 3 percent. 

KEEPING SCORE: The Dow Jones industrial average rose 41 points, or 0.3 percent, to 16,335 as of 10:57 a.m. Eastern. The Standard & Poor's 500 index rose four points, or 0.2 percent, to 1,832 and the Nasdaq composite rose two points, or 0.1 percent, to 4,151. 

TESLA BOOST: Tesla Motors jumped $9.60, or 7 percent, to $153.12. The National Highway Traffic Safety Administration kept its 5-star safety rating on the company's Model S sedan, despite recent reports of battery-related fires. There have been no reported injuries or deaths related to any Tesla car fires. 

HOME SALES: Homebuilder stocks rose after the government reported that new home sales rose at a faster pace than analysts were expecting last month. Lennar rose 54 cents, to 1.5 percent, to $39.31 and PulteGroup was up 16 cents, or 1 percent, to $19.87. 

GOODS ORDERS: Orders for long-lasting manufactured products rose 3.5 percent in November, more than economists were expecting. It was the latest sign of improvement in the U.S. economy. Core capital goods, a category that tracks business investment, jumped 4.5 percent, the biggest gain since January. 

FIVE DAYS OF GAINS: Stocks have been rising steadily since Wednesday, after the Federal Reserve surprised investors by announcing it was cutting back its bond-buying program, or "tapering" it, as it's sometimes called on Wall Street. The Fed will reduce its bond purchases to $75 billion a month beginning in January, down from $85 billion. 

TIME TO PULL AWAY THE SAFETY NET': "If the data keeps being this positive, it could force Fed to taper more quickly and pull away this safety net the market has had," said Uri Landesman, president of the hedge fund Platinum Partners. Landesman said he expects 2014 to more volatile for the stock market. 

BOND YIELDS: The yield on the 10-year Treasury note rose to 2.97 percent from 2.93 percent the day before. Treasury yields have been climbing steadily since the Fed's announcement last Wednesday. 

TARGET'S WOES CONTINUE: Target fell 33 cents, or 1 percent, to $61.55 after the company said Monday night that the U.S. Justice Department is investigating the credit and debit card security breach at the company. Target revealed last week that data connected to about 40 million credit and debit card accounts were stolen between Nov. 27 and Dec. 15. Target executives have been meeting with state attorneys general to discuss the matter. 

EARLY CLOSE: The New York Stock Exchange and the Nasdaq Stock Market will close at 1 p.m. Eastern time on Tuesday. The exchanges will also be closed on Christmas Day and will reopen for a full day of trading on Thursday. 


23.50 | 0 komentar | Read More

Vienna Philharmonic retroactively revokes honors given to Nazis

Written By kolimtiga on Senin, 23 Desember 2013 | 23.50

Vienna Philharmonic

Members of the Vienna Philharmonic. (Dieter Nagl / AFP/Getty Images)

By David Ng

December 23, 2013, 8:28 a.m.

As the Vienna Philharmonic prepares for its annual New Year's Day concert that will be seen by television viewers around the world, the renowned orchestra has decided to withdraw honors that it bestowed upon several members of the Nazi Party during World War II.

The orchestra had honored at least six high-ranking members of the Nazi Party with its so-called "rings of honor" and other awards. Orchestra leaders decided to posthumously revoke those awards in October, but the news was first reported Friday by Reuters.

Among those party members whose awards were revoked are Baldur von Schirach, the Vienna governor from 1940 to 1945; Arthur Seyss-Inquart, an Adolf Hitler cabinet minister; and SS leader Albert Reitter.

The decision to revoke the honors comes at a time of heightened scrutiny surrounding the orchestra's past dealing with the Nazis.

Earlier this year, the Vienna Philharmonic revealed new details about its ties to the Nazi Party during World War II. The orchestra released an independent report stating that nearly half of the musicians of the Vienna Philharmonic were members of the Nazi Party in 1942.

The report also said that in 1938, all of the orchestra's Jewish musicians were dismissed and that five of these musicians later died in prison or concentration camps.

Reuters reported that there was evidence that the orchestra had planned to present a gold Nicolai medal to Hitler, but it is not yet clear whether he received it. If so, it would also be revoked, according to Vienna historian Oliver Rathkolb, who has worked with the orchestra.

The Jan. 1, 2014, concert will be led by Israeli conductor Daniel Barenboim. It will air in the Los Angeles area at 8 p.m. on KOCE.

ALSO:

Vienna Philharmonic reveals new details about past Nazi ties

Vienna Philharmonic attacked for past Nazi ties, being too white

Vanger vs. Wagner? 'Girl with the Dragon Tattoo' family has familiar ring


 


23.50 | 0 komentar | Read More

Watch: Justin Timberlake lifts off with 'Pair of Wings' on 'SNL'

Justin Timberlake

Justin Timberlake performed his song "Pair of Wings" on "Saturday Night Live." (NBC)

By Mikael Wood

December 23, 2013, 8:15 a.m.

Is Justin Timberlake back?

OK, so the superstar singer-actor hasn't exactly been away lately; indeed, it might be Timberlake's overexposure this year that led the Recording Academy to snub "The 20/20 Experience" in the recently announced nominations for the upcoming Grammy Awards. (Then again, with the Recording Academy, general cluelessness is always a reliable bet.)

Yet Timberlake has spent much of the past few months in celebrity mode as opposed to musician mode. Even headlining Staples Center just before Thanksgiving, he seemed more like a Hollywood king holding court than like a dude playing songs.

PHOTOS: Celebrities by The Times

The dude returned, though, for "Saturday Night Live."

Appearing on the show over the weekend with his old pal Jimmy Fallon, Timberlake performed a pair of tunes from his "20/20 Experience" sequel: the grimy "Only When I Walk Away" and "Pair of Wings," the unlisted cut that closes the record with a lovely folk-soul flourish.

The laser-equipped former felt like a slightly scaled-down version of Timberlake's current arena show, which comes back our way Jan. 20 with a date at the refurbished Forum in Inglewood.

But "Pair of Wings" had a convincingly stripped-down vibe, as though the singer had simply dropped by with his guitar (and, um, a full string section) and decided to bust out a ditty. 

Watch it below.

ALSO:

Sid Vicious and the aesthetics of punk rock

Daft Punk, Kendrick Lamar, Imagine Dragons to perform at Grammys

Twitter: @mikaelwood

Comments are filtered for language and registration is required. The Times makes no guarantee of comments' factual accuracy. Readers may report inappropriate comments by clicking the Report Abuse link next to a comment. Here are the full legal terms you agree to by using this comment form.

23.50 | 0 komentar | Read More

'Anchorman 2' box office: What happened?

From Will Ferrell's late-night TV appearance announcing its launch to the blitz of Dodge ads, tie-in materials and "SportsCenter" shout-outs that marked it release, "Anchorman 2: The Legend Continues" has been surrounded by an air of grand ceremony pretty much throughout its life.

So much grandeur, in fact, that one might have expected the movie to become a major blockbuster — or at least more successful than the original.

Yet the Ferrell news parody opened this weekend to disappointing numbers. Its three-day weekend total of $26.8 million was lower than the $28 million of the original, substantially so when considering the original's inflation-adjusted number of $35 million.

The new film's five-day total of $40 million (the studio opened the movie Wednesday) falls short too. The first five days of the original release, which spilled into the not-exactly popular moviegoing days of Monday and Tuesday, yielded $46 million in today's dollars.

And the new film was in 400 more theaters than the original.

Factor all the promotion for "Anchorman 2," and all the presumed new fans that the series gained from cable airings and DVD sales over the past nine years — not to mention the ascendancy of co-stars Steve Carell and Paul Rudd — and, well, the new totals start to look more shabby than classy.

Judging actual profitability for "Anchorman 2" is tricky: the Paramount film had only a $50-million production budget, but with so many promotions and tie-ins, it's even tougher than usual to gauge marketing costs. Assessing popularity, or lack thereof, is simpler.

What happened? Shouldn't the new fans and the marketing blitz have spelled a major jump from the first film? Here are some potential factors.

Cable worked against it. The conventional thinking is that all those cable airings brought new people to the comedy. And it might have. But it also subtly reinforced a belief that the movie could be seen at any time, anywhere, and kept some moviegoers home. If the original never really went away, wouldn't the same be true of this film too?

Marketing worked against it. Another factor ostensibly in the movie's favor may well have undermined its opening. That heaping plate of Ron Burgundy over the past few months (there was also that anchoring of news in North Dakota, the relentless Dodge Durango commercials, the Newseum exhibition, the underwear cross-promotion) made people feel like they had gotten their fill of the character. Film fans really wanted to see a few more hours of Ferrell and friends getting into mischief. And thanks to all these appearances, they did so weeks ago.

Competition was stronger this time out. No doubt the explanation Paramount and filmmakers would prefer. Unfortunately that doesn't totally fly — the competition was pretty similar. This movie was up against the second weekend of Peter Jackson's "The Hobbit: The Desolation of Smaug," while the first film was up against the second weekend of a similar powerhouse: Sam Raimi's "Spider-Man 2."

Older fans had moved on. It's possible that the new film really did gain new fans. The problem is, a number of the old ones left. The year 2004 is a long time away. Ferrell's comedy fell out of favor. So some who came to theaters to see the original were no longer enamored, or at least not sufficiently enamored to turn out opening weekend.

For backers, the hope is that the new movie has some of the same legs as the original. But it could be a tough road, at least in theaters. The comedy's "B" CinemaScore is decent but doesn't suggest great word-of-mouth ahead. And the holiday movies will keep coming.  Audiences want a sequel until they get a sequel, the maxim goes. They are happy to quote and relive the original. But that doesn't necessarily mean they think a new film smells of rich mahogany.


23.50 | 0 komentar | Read More

Jos. A. Bank rejects Men's Wearhouse takeover offer

Jos. A. Bank announced Monday it has rejected a late November takeover bid from rival Men's Wearhouse, saying the offer undervalued the company.

"Our board undertook a thorough review and determined that the per share consideration in the proposal made to us by Men's Wearhouse was simply not in the best interest of our shareholders," said Robert N. Wildrick, Jos. A. Bank's chairman.

The two retailers have in the past months been playing a game of cat-and-mouse as each company has tried to acquire the other.

In October, Jos. A. Bank Clothiers Inc. offered to buy Men's Wearhouse for $2.3 billion, but the offer was rejected because Men's Wearhouse executives believed the bid undervalued the company.

Then, in late November, Men's Wearhouse turned the tables and offered to acquire Jos. A. Bank for $55 a share, for an estimated $1.2 billion. Men's Wearhouse said Monday that represented a 45% premium over Jos A. Bank's unaffected enterprise value and 32% over the company's closing share price on Oct. 8, the day before Jos. A. Bank bid for Men's Wearhouse.

In a statement, Men's Wearhouse's executives expressed surprise at the rejection. 

"Given Jos. A. Bank's repeated expressions of interest in engaging in good faith discussions about a possible combination with Men's Wearhouse, we are surprised that Jos. A. Bank has rejected our proposal," the company said in a statement. 

Shares for both companies were down Monday after news of the rejected takeover proposal. Men's Wearhouse shares were trading at $51.47, down $0.54, or 1.04%. Shares for Jos. A. Bank were down $0.12, or 0.21%, to $56.91.

ALSO:

Many Americans plan less holiday spending, survey says

U.S. economic recovery expected to gain strength in 2014

State's top insurance cop touts three major cases in the last month


23.50 | 0 komentar | Read More

In Egypt, activist's death seen as embodiment of dashed hopes

CAIRO -- To many of those who took part in Egypt's 2011 revolution against Hosni Mubarak, the death of Bassem Mohsen epitomized that era's dashed hopes.

Mohsen, 25, was shot in the head last week during an anti-government protest in his native city of Suez. On Sunday, he was confirmed dead. On Monday, friends and family gathered outside the hospital where the body lay, waiting for official permission for an autopsy to be carried out.

The young activist was a veteran of protests against not only Mubarak, but the military administration that followed him, the Islamist rule of Mohamed Morsi, and most recently, the military-backed interim government.

"The story of a revolution. ... The end of the story," said a message posted on a Facebook page memorializing him.

"Bassem died exactly like the dream of having a better country is dying," read another post.

Days later, it was still unclear whether Mohsen had been shot by security forces or by fellow protesters. But he was mourned as part of the cohort of 2011 revolutionaries who have fallen on hard times.

Three well-known activists of the uprising against Mubarak received three-year jail sentences on Sunday for violating a tough new anti-protest law. Last week, the Cairo office of a prominent rights group was raided and some of its workers roughed up and arrested, though most were later released. And the case of about two dozen other secular activists, also arrested for unauthorized protests, has been referred to a criminal court.

In late 2010, Mohsen was one of the first to leave his city and join the protest movement that ended Mubarak's rule the following year. That was just the beginning; later the same year he lost an eye during violent protests against the Interior Ministry, which oversees the country's security forces. It was later disclosed that police snipers had been specifically instructed to aim for protesters' eyes.

A military tribunal sentenced him to two years in jail in August 2012. His subsequent pardon by Morsi, then the president, did not prevent him from joining the anti-Morsi protest movement known as Tamarod, or Rebellion.

The violent crackdown on Morsi's Muslim Brotherhood over the past four months spurred Mohsen to join in demonstrations put on by supporters of the Islamist movement, decrying the coup that toppled Morsi. It was at such a rally that he was hit with what proved a fatal shot.

ALSO:

Egyptian activists get 3-year prison terms

Poll: Two thirds of Americans say Afghan war not worth fighting

Obama warns against using military force to gain power in South Sudan

Hassan is a special correspondent. Staff writer Laura King in Cairo contributed to this report.

23.50 | 0 komentar | Read More
techieblogger.com Techie Blogger Techie Blogger